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卧龙战警

4.0分 / 动作片 / 美国 / 1992

片名:卧龙战警

别名:卧龙战警免费在线播放

电影类别:动作片

发行年份:1992

首映地区:美国

导演:比尔·杜克

演员:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯

更新时间:2024-01-10 02:35

《卧龙战警》该片自上映后,口碑爆棚,能否成为年度最佳动作片?

《卧龙战警》该片自上映后,口碑爆棚,能成为年度最佳动作片。《卧龙战警》往往可以变成在今年的电影中用户评价有名的电影,直接原因是《卧龙战警》整部著作自身足够好,不论是艺人劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯的呈现、比尔·杜克拍摄技巧,或是电影情节和现实感,全是非常出众的,取得好口碑:4.0分其实也很正常。《卧龙战警》的艺人劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯尽管说不是非常有名,但是劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯的表演很好,可以把观众们带到到小故事中来,让粉丝有一种窒息的感觉,相比这些帅哥的表演劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯的表演真是能够称之为高手,因此大家喜欢这部动作片。

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  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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