片名：萨乐美

别名：萨乐美免费在线播放

电影类别:剧情片

发行年份：1923

首映地区：美国

导演：查尔斯·布莱恩特,艾拉·娜兹莫娃

演员：艾拉·娜兹莫娃

更新时间：2024-01-10 01:20

《萨乐美》该片自上映后，口碑爆棚，能否成为年度最佳剧情片？

《萨乐美》该片自上映后，口碑爆棚，能成为年度最佳剧情片。《萨乐美》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《萨乐美》整部著作自身足够好，不论是艺人艾拉·娜兹莫娃的呈现、查尔斯·布莱恩特,艾拉·娜兹莫娃拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：7.0分其实也很正常。《萨乐美》的艺人艾拉·娜兹莫娃尽管说不是非常有名，但是艾拉·娜兹莫娃的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演艾拉·娜兹莫娃的表演真是能够称之为高手，因此大家喜欢这部剧情片。

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　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.