片名：衣领上的唇印

别名：衣领上的唇印免费在线播放

电视剧类别:欧美剧

发行年份：1993

首映地区：英国

导演：内详

演员：Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis

更新时间：2023-11-23 13:50

《衣领上的唇印》该片自上映后，口碑爆棚，能否成为年度最佳欧美剧？

《衣领上的唇印》该片自上映后，口碑爆棚，能成为年度最佳欧美剧。《衣领上的唇印》往往可以变成在今年的电视剧中用户评价有名的电视剧，直接原因是《衣领上的唇印》整部著作自身足够好，不论是艺人Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis的呈现、内详拍摄技巧，或是电视剧情节和现实感，全是非常出众的，取得好口碑：5.0分其实也很正常。《衣领上的唇印》的艺人Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis尽管说不是非常有名，但是Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis的表演真是能够称之为高手，因此大家喜欢这部欧美剧。

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　　The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.