片名：沉寂之桥

别名：沉寂之桥免费在线播放

电影类别:剧情片

发行年份：1989

首映地区：美国

导演：Karen Arthur

演员：Lee Remick,Marlee Matlin,Michael O'Keefe

更新时间：2024-01-10 23:29

《沉寂之桥》该片自上映后，口碑爆棚，能否成为年度最佳剧情片？

《沉寂之桥》该片自上映后，口碑爆棚，能成为年度最佳剧情片。《沉寂之桥》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《沉寂之桥》整部著作自身足够好，不论是艺人Lee Remick,Marlee Matlin,Michael O'Keefe的呈现、Karen Arthur拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：9.0分其实也很正常。《沉寂之桥》的艺人Lee Remick,Marlee Matlin,Michael O'Keefe尽管说不是非常有名，但是Lee Remick,Marlee Matlin,Michael O'Keefe的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Lee Remick,Marlee Matlin,Michael O'Keefe的表演真是能够称之为高手，因此大家喜欢这部剧情片。

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　　Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.
　　Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.
　　The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.
　　Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.