片名：玩偶1968[电影解说]

别名：玩偶1968[电影解说]免费在线播放

电影类别:电影解说

发行年份：1968

首映地区：其它

导演：沃伊切赫·哈斯

演员：马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef Pieracki,Janina Romanówna,Anna Seniuk,Irena Szramowska,Wladyslaw

更新时间：2023-11-23 12:11

《玩偶1968[电影解说]》该片自上映后，口碑爆棚，能否成为年度最佳电影解说？

《玩偶1968[电影解说]》该片自上映后，口碑爆棚，能成为年度最佳电影解说。《玩偶1968[电影解说]》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《玩偶1968[电影解说]》整部著作自身足够好，不论是艺人马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef Pieracki,Janina Romanówna,Anna Seniuk,Irena Szramowska,Wladyslaw 的呈现、沃伊切赫·哈斯拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：4.0分其实也很正常。《玩偶1968[电影解说]》的艺人马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef Pieracki,Janina Romanówna,Anna Seniuk,Irena Szramowska,Wladyslaw 尽管说不是非常有名，但是马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef Pieracki,Janina Romanówna,Anna Seniuk,Irena Szramowska,Wladyslaw 的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef Pieracki,Janina Romanówna,Anna Seniuk,Irena Szramowska,Wladyslaw 的表演真是能够称之为高手，因此大家喜欢这部电影解说。

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　　The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).
　　The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.
　　This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.
　　Plot:
　　As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)