片名：红花之歌

别名：红花之歌免费在线播放

电影类别:剧情片

发行年份：1919

首映地区：其它

导演：莫里兹·斯蒂勒

演员：Greta Almroth,Arvid Dahlberg,约翰·埃克曼

更新时间：2024-01-10 01:18

《红花之歌》该片自上映后，口碑爆棚，能否成为年度最佳剧情片？

《红花之歌》该片自上映后，口碑爆棚，能成为年度最佳剧情片。《红花之歌》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《红花之歌》整部著作自身足够好，不论是艺人Greta Almroth,Arvid Dahlberg,约翰·埃克曼的呈现、莫里兹·斯蒂勒拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：8.0分其实也很正常。《红花之歌》的艺人Greta Almroth,Arvid Dahlberg,约翰·埃克曼尽管说不是非常有名，但是Greta Almroth,Arvid Dahlberg,约翰·埃克曼的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Greta Almroth,Arvid Dahlberg,约翰·埃克曼的表演真是能够称之为高手，因此大家喜欢这部剧情片。

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　　“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.