片名：受伤的天使

别名：受伤的天使免费在线播放

电影类别:剧情片

发行年份：2016

首映地区：其它

导演：埃米尔·拜加津

演员：Nurlybek Saktaganov,Madiyar Aripbay,Madiyar Nazarov,Omar Adilov,Anzara Barlykova

更新时间：2024-01-10 01:33

《受伤的天使》该片自上映后，口碑爆棚，能否成为年度最佳剧情片？

《受伤的天使》该片自上映后，口碑爆棚，能成为年度最佳剧情片。《受伤的天使》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《受伤的天使》整部著作自身足够好，不论是艺人Nurlybek Saktaganov,Madiyar Aripbay,Madiyar Nazarov,Omar Adilov,Anzara Barlykova的呈现、埃米尔·拜加津拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：6.0分其实也很正常。《受伤的天使》的艺人Nurlybek Saktaganov,Madiyar Aripbay,Madiyar Nazarov,Omar Adilov,Anzara Barlykova尽管说不是非常有名，但是Nurlybek Saktaganov,Madiyar Aripbay,Madiyar Nazarov,Omar Adilov,Anzara Barlykova的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Nurlybek Saktaganov,Madiyar Aripbay,Madiyar Nazarov,Omar Adilov,Anzara Barlykova的表演真是能够称之为高手，因此大家喜欢这部剧情片。

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　　电影讲述了上世纪九十年代的哈萨克小镇，四个少年各自的生命之路。扎哈拉斯正在备受父亲的煎熬，后者因曾是一个诈骗犯而找不到工作，为了帮助父亲，他不得不在玉米加工厂打工。巴拉潘有一把好嗓子，能够将“万福玛丽亚”唱的娓娓动听，然而校园生活教会他的是使用自己的拳头而不是声音。扎哈巴则在流浪在村子里的垃圾堆中，寻找可以卖的废金属，他与其他三名同龄离家出走的男孩子睡在废弃的隧道中。阿斯兰正在为医药学努力，然而当他说服自己的女朋友堕胎之后，他的人格发生了彻底的改变。
　　A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016